“‘So, Inspector, you can see, the only person who could
have done all these murders is the man sitting over there’. So saying, Johnny
Oxford pointed his finger at…’Men are you skinny? Do you have sand kicked in
your face?’ Wait a minute, that’s not right! There’s a page missing! The
last page is missing!” – From The Missing Page by Ray Galton & Alan Simpson
As I’ve mentioned before, one of my favourite episodes of
Hancock’s Half Hour is The Missing Page. Having borrowed Lady Don’t
Fall Backwards by Darcy Sarto from his local library, Hancock is incensed
to find that the last page is missing…or so he thinks. It turns out that the
author died before finishing the book, which has been published without a last
page (hence it skips to the Charles Atlas advert). Frustrated by his
experience, Hancock abandons books and the library in favour of a new hobby,
the gramophone, which would have suited him now, what with the libraries being closed.
The announcement last week (23rd June 2020) that
lockdown restrictions are being eased from 4th July means that
libraries can re-open from that date. Whether they do so or not, and what
services they will provide will depend on local councils. Some libraries have
been offering limited services during lockdown, legislation having allowed “digital
library services and those where orders are taken electronically, by telephone
or by post (for example no-contact Home Library Services)” and it has been
the digital services that I have been using.
I have never been much of a library user, but I have
borrowed more books during lockdown (three) than I had during the previous
forty years. I rejoined the local library last year after several decades away,
and started browsing the website to see what ebooks were available. Like
millions of other people, I have mostly read books on my Kindle for the last
twelve years, and even if it had been possible to go and borrow a physical book
from my local library, I would still have preferred to borrow an ebook.
Borrowing an ebook ought to be pretty straightforward;
download the library’s app on a phone or tablet, find a book, download it and
read it. Not quite. There are four apps used by my local library; BorrowBox,
Libby, RBdigital, and Overdrive: as yet I’ve not worked out why there are four,
but there are. I’d guess that the reason is that different apps
offer different functionality and different user experiences, and that no one
app delivers all of the required services. This may be due to licencing issues,
file formats, system compatibilities and the usual fact that as new services
and functionality come along, it’s sometimes easier for developers to come up
with a new app rather than trying to shoehorn it into an existing one.
For instance, in addition to books, RBdigital has a wide
range of magazines and comics that can be borrowed (696 magazine titles, and
1,508 comics, ranging from The Economist to Spiderman). But a book that I have
borrowed using the library website, and read using Overdrive, does not return
any result when searched for on RBdigital. The magazines that are on RBdigital
are not on the other apps, nor the library website. It’s slightly frustrating,
and the part of me that used to test things like this for a living has an urge
to start writing some test scripts to get to the bottom of which app does what.
Fortunately, I have managed to supress that urge!
When lockdown started, I decided that I did not want to read
books with a contemporary setting, but rather historical stuff, or books set in
a slightly off-kilter version of today; escapism rather than gritty realism. I mostly
read books on my Kindle, but a friend lent me three paperbacks back in March,
which I have read in the last few weeks (well, two of them; one - With One
Lousy Free Packet of Seed by Lynn Truss - proved to be too over-written, too
annoying, and too cliched for me to be able to plough through it). Of the
others, Ben Elton’s The First Casualty was hugely enjoyable, if a little
predictable in places.
One book that I bought and read on my Kindle was Dissolution,
the only book in the Shardlake series by CJ Sansom that I had not yet read. Dissolution
is the first in the series, and Shardlake was markedly different compared with
later books, in which his character had clearly and realistically aged and
evolved.
Then I remembered another series of stories, one or two of
which I had read years ago, about the slightly oddball detectives Bryant &
May, of whom Christopher Fowler has written fifteen novels. Deciding to start
with Bryant & May’s first case, I bought and read Full Dark House, but
having decided to read some more in the series, it occurred to me that rather
than buy, why not borrow? The second book in the series – The Water Room
– was not available to borrow from the library (just like physical books,
there’s a finite number of copies of ebooks, defined by the number of licences
purchased by the library, I assume), so I skipped to the third, Seventy-Seven
Clocks.
I wanted to borrow The Second Sleep by Robert Harris
because I’d read some reviews and been intrigued. The reviews were mixed –
disappointment with the ending being the main criticism – but I’ve generally
enjoyed Harris’s books in the past (Fatherland is a masterpiece, for
example) and wanted to make up my own mind. Sadly, the library’s copy was out,
so I bought it on my Kindle, and thoroughly enjoyed it, although I’d agree with
those who thought that the ending was a bit of a let-down. What did surprise me
was that in none of the reviews that I’d read did anyone acknowledge the debt
it clearly owes to Walter M Miller’s A Canticle for Liebowitz.
Next on my reading list is a revisit to Christopher Priest’s
The Space Machine, a mash-up of The Time Machine and The War
of the Worlds. I must have read it a year or so after it first came out, as
whenever I think of it I’m taken back to the staff room at Midland Bank in
Gants Hill – where I started work in 1976, the year the book was published –
reading it while eating a crusty cheese roll from Barton’s The Bakers that I’d
bought for my lunch. Odd, how memory works.
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