A common sight outside the venue for major sporting events
or rock concerts are the touts, those men (it always seems to be men) enquiring
if anyone has any spare tickets or, perhaps would like to buy one? There was a
time, years ago, when these men were considered parasites but now they are
pretty much an endangered species as their role has been largely overtaken by
the secondary market websites such as Viagogo, Get Me In! and StubHub.
The secondary market, the traditional way. Photo: Lincolnshire Echo |
Now opinion is divided on these websites. On the one hand
they provide an opportunity for fans to get their hands on tickets for sold out
events but on the other hand the fact that tickets on these sites go for prices
that are often more than double the face value opens them up to much criticism. The fact that Get Me
In! are a Ticketmaster company, and Ticketmaster are a primary seller
immediately makes them a target for accusations that some tickets never
actually make it onto the primary market and go directly to the secondary
market. My experience of buying tickets online does not give me mush assurance
that that is not the case. Last year I booked tickets for a gig by Architects
at The Roundhouse for my daughter. Logging on to Ticketmaster at 9am on the
Friday morning, tickets were not yet on sale. After refreshing the page several
times, tickets became available to book, but were sold out, but guess what,
they were instantly available on Get Me In! at vastly inflated prices.
Fortunately I was able to buy tickets at face value from The Roundhouse
website, where they had gone on sale slightly later than at Ticketmaster.
The Roundhouse |
Now the people who run the secondary market websites claim
that most tickets they sell are those bought by genuine punters who
subsequently realise that they cannot attend the event, but this does not
explain why they appear on their sites so soon after the original sale. No one
buys tickets and then realises immediately that they cannot go, so either these
tickets are appearing so soon on secondary sites because they bypass the
primary market altogether or because buyers are purchasing them with the sole
intention of selling them on for profit.
The secondary market providers also make the comparison
between tickets and cars or houses, claiming that as the owner of a house or a
car has the right to sell their property or vehicle, so should a ticket holder.
To my mind it's a spurious analogy. Sure, house prices have tended to rise and
sellers make a profit, but most people sell to buy another property. Cars, on the other hand depreciate from the moment that you take
ownership, but concert tickets or Cup Final tickets are a totally different market
and the secondary market makers know this, bumping up prices accordingly. Look,
if I want a second hand Volkswagen Golf there are dozens, even hundreds to
choose from, but for tickets to see Paul McCartney in Liverpool (face value
between £71 and £135) my choice is distinctly limited, as is my chance of
getting one on the primary market, but they are on the Viagogo website for up
to £1,400 for the sole purpose of making the seller a thumping great profit.
If tickets are in fact bypassing the primary market and this
is deemed legitimate practice then the secondary market sellers should be
upfront about this and it should be made clear to the public that this is occurring.
If it is happening then I believe it is unfair to the general public and should
be outlawed. New rules have been introduced to make sellers on the secondary
market declare the original ticket price, factors such as age restrictions and
limited view but frankly these rules do not go far enough and in any case
things like restricted views apart, most of these facts would be known to
buyers anyway from their attempts to buy tickets on the primary market.
Back in 2009 the then CEO of Ticketmaster in the US, Irving
Azoff, told the US Senate "I don't believe there should be a secondary market at all. I believe that scalping and
resale should be illegal." Harvey Goldsmith, the producer and promoter of
rock concerts, Charity events and television was interviewed on radio last week
calling for more control of the secondary market. While acknowledging that
there is a need for a secondary market (people will always find themselves with
tickets to events they then cannot attend), Goldsmith believes that the price
of tickets on the secondary market should be regulated to allow only a nominal mark-up,
say 10% and I make him right on that.
Irving Azoff. Photo: Forbes |
I have to admit to having used secondary market websites to
buy tickets in the past. If they have one use it is in sometimes being able to
buy better seats than one can acquire when tickets first go on sale, but I have
to confess that I have done so through gritted teeth and had to put the fact
that I have paid through the nose to the back of my mind. The fact is that I
cannot set aside my feelings that I am lining the pockets of either an
intermediary company, who have done little to earn my money, or an opportunist
who sees that a quick buck can be made.
The England and Wales Cricket Board (ECB) are one of a few
organisations that frown on the resale of tickets. Their website says plainly
that, " The ECB is against ticket
touting, and is committed to eradicating it wherever possible. The ECB monitors
online auction and ticket re-sale sites, and will cancel tickets in breach of
terms and conditions: i.e. tickets that are sold on above face value are in
breach of ticket conditions, and may be cancelled – leading to refused entry
into the ground." Hats off to the ECB, who authorise an official
ticket exchange for fans to sell unwanted tickets to other fans at face value. It would be nice if other
organisations followed suit, but I won't hold my breath.
Most tickets one buys online come with the purchaser's name
and address printed on them, and some venues check that against photo ID when
you turn up for the event. At some venues this is easier to enforce than at
others, but it is something I'd be happy to comply with if necessary. An
argument put forward by the secondary market providers, that they enable fans
to get tickets they otherwise could not have bought, just won't wash. If
Viagogo or StubHub or Get Me In! were regulated more stringently, for example
only being able to add 10% to the face value, more people would be able to get
tickets on the primary market. Oh, and don't get me started on "processing
fees," or postages, or the fact that some charge you for the privilege of
printing your ticket at home because all of those add insult to the injury done
to your bank balance when you buy your precious ticket in the first place.
In an ideal world we would all boycott the secondary market ,
which would collapse if people were stuck with tickets they couldn't sell, but
as long as sell out events exist there will be a market and there will be
people prepared to pay silly prices for the privilege of seeing their favourite
team or their favourite band. I'm just hoping that someone comes along with
some rules that have a bit more bite than those that have just been introduced.
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