In the last year or so I have been to see a good number of
radio and TV shows being recorded, mostly comedies and panel games, and this
week I have been to see two contrasting TV gameshows. First it was off to
Elstree to see The Edge, a BBC
daytime show that will debut in September. The show is hosted by Mark Benton,
who starred in Waterloo Road and
appeared on Strictly Come Dancing but
is probably best known for turning "New customers only" into an
everyday saying in the Nationwide ads. By the by, that was one of those
unfortunate ads where Nationwide probably actually lost business as viewers
associated the "new customers only" phrase with them and not their
competitors.
Mark Benton |
The Edge is a
somewhat unlikely mix of quiz show and bowling. Contestants answer questions to
earn the right to bowl a ball down a lane to win cash prizes, but roll your
ball over the edge and you lose. Now sometimes it can be difficult to get
tickets to TV and radio shows, but
probably because it is a new show and recordings are on weekday mornings
and afternoons, tickets for The Edge
were not hard to come by and the audience was a bit thin on the ground.
Actually at one point I thought there may be more people on stage than
watching! Those of us who made up the audience were huddled together in a group
but I'm sure that some judicious editing of the audience shots will hide the
large number of empty seats. Chances are you may see me in some audience shots
as the camera was frequently perched directly over me. As gameshows go it
wasn't bad but I don't think it will be as long running as something like Countdown. As it hasn't been on yet, no
one (including the contestants and at times, the host) really knew what to
expect or sometimes what was actually going on, but I've seen worse (Tipping Point, for one).
That was Monday. On Tuesday evening it was off to The London
Studios on the South Bank to see Trust
Me, I'm A Gameshow Host being recorded.
Now whereas The Edge appears to
be an original BBC idea, Trust Me is
an American show that ITV are piloting in this country. Sue Perkins (best known
for The Great British Bake Off) and
Frank Skinner (fan of George Formby and West Bromwich Albion) host the show in
which they offer a series of wildly implausible stories to a contestant who has
to guess which one is actually the truth in order to win a cash prize. Unlike The Edge, the studio was packed for Trust Me, which was just as well as it
was filmed in the round, so floor crew were going about making sure there were
no empty seats within camera range.
Interestingly we had seats in the second row (watch out when
the show is broadcast, there's a good chance you'll see me), no more than six
feet behind where Frank Skinner was standing and from where I could read his
autocue. I say interestingly because while we were queuing outside the studio
some priority ticketholders were ushered in ahead of us yet we ended up with
better seats. On the whole going to the BBC Radio Theatre at Broadcasting House
is a better experience than seeing a TV show at either Elstree or on the South
Bank.
The view from the Media Cafe at BBC Broadcasting House, much better than queuing in the rain. |
At Broadcasting House you wait to be shown into the theatre in the Media
Cafe overlooking the newsroom whereas at the other studios most of your waiting
is done outside (and I've stood outside in winter, in pouring rain too) and can't
get a drink or a bite to eat or have a sit down. Also, the radio recordings
tend to be quicker with few, if any interruptions (although there are
inevitably retakes), whereas TV shows have breaks while make-up, lighting and
set arrangements are changed and there are seemingly interminable pick-ups. As
a result an important member of the team at TV recordings is the warm-up man to
keep the audience amused during the breaks, in this case Ian Royce who frankly
is funnier than most comedians you see on TV. Being near the front I kept my
head down in case he picked on me as he was fairly merciless with most of his
victims from the audience.
While we all know that TV shows are heavily edited, that pick-ups
and retakes abound, I guess I thought that gameshows would be a bit, I don't
know, more seamless. After all, in a comedy you can ask the audience to react
to a gag again and again, but how easy is it in a game show to have audience
and contestant repeat their reactions, especially their reactions to a wrong
answer? Surprisingly easy as it turns out, especially in Trust Me, although you have to feel sorry for the contestant having
to pretend, for the fourth time, that this is the first time that he has heard he
has the wrong answer. That said, the contestant on Trust Me was not quite as ordinary a member of the public as the
show's hosts might have had us believe, as a quick Googling of his name
revealed the next morning. I suppose that for a pilot show one can forgive the
producers a certain amount of poetic licence.
TV game shows make a lot of money; if not always for the
contestants then certainly for the companies that devise, create, make and
market them. Who Wants To Be A
Millionaire? has been licensed to over one hundred different countries and
is hugely profitable; it genuinely turned its creators into millionaires.
Gameshows have came a long way since the days of Take Your Pick, or The
Generation Game with bigger prizes and spin-offs; lots of spin-offs. Board
games, smartphone apps and in-show competitions that generate huge amounts
through phone charges make the actual show itself quite peripheral in a way.
At one time the way to fame and fortune may have been to
write a bestselling song, now there are vast sums to be made in devising a
successful gameshow, so I'm off to put my thinking cap on!